Right on the heels of the riotous Go to Hell, Bastards: Detective Bureau 2 3, Seijun Suzuki unleashed what would come to be seen as his true breakthrough, the film that would cement "the Suzuki sensibility": Youth of the Beast [Yajû no seishun]. A kaleidoscopic fantasia that contains "youth" and "beast" only insofar as 1963 pop/youth culture was that violently upstart thing, not unlike the yakuza? Suzuki's infectious go-for-broke energy is assisted by a telephoto lens that serves at once phallus and yoni in the masterful, Minnelli-worthy 'Scope framing. His film would go on to inspire John Woo's forthcoming remake titled Day of the Beast; Nikkatsu have in recent times deemed this one of their treasures.